![An etching of the Serbian Orthodox Monastery of Studenica from Moscow (1758), currently housed in the Museum of the Serbian Church in Szentendre, Hungary. [Source: Wikimedia]](https://images.squarespace-cdn.com/content/v1/5449167fe4b078c86b41f810/1604953554651-NSZ4FGB324T7XQHJSZN9/1024px-Unknown_etching_moscow_1758_The_Serbian_Monastery_of_Studenica_IMG_0484_serb_museum_szentendre.JPG)
An etching of the Serbian Orthodox Monastery of Studenica from Moscow (1758), currently housed in the Museum of the Serbian Church in Szentendre, Hungary. [Source: Wikimedia]
Even if the fourth and fifth centuries may have brought important changes for large parts of the “Christian” movement (or better: the different groups of Christ followers), the production of texts which reasonably can be labelled “Christian apocrypha” did not simply stop. To the contrary, with some genres the production of texts seems to have exploded.
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