Auguste Rodin, The Gates of Hell (modeled 1880-1917 and cast by Alexis Rudier 1926-1928) Philadelphia Museum of Art - Rodin Museum.
Auguste Rodin, The Gates of Hell (modeled 1880-1917 and cast by Alexis Rudier 1926-1928) Philadelphia Museum of Art - Rodin Museum.
Building upon scholarship that sees juridical contexts at the heart of these conceptions of punishment and just desserts, Henning pushes such conclusions further by asking what other assumptions, namely concerning bodies and gender, are brought into our scholarly interpretations of Hell and the afterlife.
Read MoreRoman geometric mosaic floor, from Conimbriga, Portugal. Image by Carole Raddato.
Roman geometric mosaic floor, from Conimbriga, Portugal. Image by Carole Raddato.
When it came to material culture, I faced another set of accessibility-related roadblocks. I had come to internalize the perspective from the opening of this essay: material culture constituted an evidentiary corpus for which vision was a precondition for insightful analysis. Such an opinion has an ancient pedigree.
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